The phrase “art for art’s sake” comes from the French “l’art pour l’art,” coined by a French philosopher in the early 19th century. Although it had slightly different interpretations, “art for art’s sake” represented the idea that art should be valued purely for its aesthetic qualities, separated from any political, social, or moral meanings. It was a radical idea that challenged stifling moral and societal attitudes of the day. The philosophy applied not only to the visual arts but also to literature, music, performance, and other arts.
Today, the phrase has evolved into the general idea that art should not serve any purpose beyond itself. Critics of the idea believe that art without purpose or meaning is but an empty shell. There are those who cannot help but to create from a place of deep knowing and truth within themselves that generates inherently meaningful works of art that shows us something about humanity, about life, and about the society we live in. Aurore Dupin, a 19th century French novelist, wrote, “Art for art’s sake is an empty phrase. Art for the sake of truth…that is the faith I am searching for.” Walk a few steps in these artists’ shoes and discover something new and unfamiliar that you’ve never thought about or experienced.
(This collection was curated by Judy K., Fall 2021 Archives Intern)
April 25, 1997 - Mainstreet Radio’s Catherine Winter talks with northern Minnesota painter Liz Sivertson about her work and what forms her creative inspiration. They preview and exhibition of paintings by Sivertson: colorful, whimsical pictures she did for the children's book “North Country Spring.”
February 20, 1998 - MPR’s Chris Roberts reports on play "Canned Goods" and interviews playwright Silas Jones.
October 18, 2000 - MPR’s Katherine Lanpher talks with highly acclaimed gay poet and memoirist Mark Doty. The two discuss his second memoir “Firebird.” Doty reads from his book.
July 17, 2003 - MPR's Marianne Combs profiles painter and sculptor John Snyder, and his Circus of the Night exhibit at Weinstein Gallery in Minneapolis. The presentation features gigantic paintings reminiscent of Italian works of the 14th century. Snyder details his inspiration behind the paintings.
March 26, 2004 - A new play at the Children's Theatre Company (CTC) portrays the tension and occasional conflict between Somali immigrants and Black-Americans. "Snapshot Silhouette" examines this cultural clash through the eyes of two 12-year-old girls, one Somali, one Black-American. One of the CTC's goals is to help launch a dialogue between the two communities in the Twin Cities. Minnesota Public Radio's Chris Roberts reports.
April 30, 2004 - In recent years, Minnesotans have placed increased emphasis on multiculturalism. Still, there's one group that often feels lost in the deluge of diversity. Deaf advocates say Minnesota's non-hearing community is three times as large as some other communities, but they say few people recognize its significant contributions to the culture. As Minnesota's Public Radio's Nikki Tundel found out, an exhibit at St. Paul's aND gallery is hoping to change that.
October 1, 2008 - MPR’s Chris Roberts reports on the appearance of sidewalk poetry being created throughout the city as a public art project designed to bring more poetry into everyday life. Roberts interviews Marcus Young, the creator of the project, as well as, one of the poets and other residents, about the concrete verse penned by St. Paulites.
March 30, 2012 - A photography exhibit at the Whittier Gallery in Minneapolis aims to showcase young Somali men who are improving the lives of others in the Twin Cities. MPR’s Nikki Tundel meets the Somali-American photographer, Mohamud Mumin, behind the exhibit and catches up with some of his subjects.
February 20, 2014 - MPR’s Kerri Miller has a conversation with Lou Bellamy, co-artistic director of Penumbra Theatre, and Ifa Bayeza, playwright of “The Ballad of Emmett Till,” about the themes of the play and its relevance to current tragic events concerning young men of color.
January 30, 2015 - Anton Treuer grew up on the Leech Lake reservation with a deep interest in history and language. He writes in the introduction to one of his books on Native history: "The borderland I grew up in was more than an awkward physical nexus of races and communities." Today-a conversation about how that "nexus" still influences his work and writing.