March 25, 1992 - Theater critic and writer Erin Hart reviews Aishah Rahman’s The Mojo and the Sayso, which is being performed at Penumbra Theatre.
March 11, 1992 - Writer and critic Erin Hart gives her review of Illusion Theater’s production of Objects in the Mirror Are Closer Than They Appear. The play highlights contemporary Black lives.
March 4, 1992 - Writer and theater critic Erin Hart reviews Our Town at Children’s Theatre and Cincinnati Man at Mixed Blood Theatre.
February 28, 1992 - Writer and critic Erin Hart reviews Theatre de la Jeune Lune’s production of Ballroom, a play looking at America's social fabric via the dancefloor.
February 21, 1992 - Writer and critic Erin Hart comments on her thoughts of Theater Exchange’s production of Metamorphosis. Playwright Steven Berkoff whittles his script from Kafka's original novel.
February 12, 1992 - Author Erin Hart provides a critic review of Cricket Theatre’s Mama Drama play.
February 5, 1992 - Minnesota writer and theatre critic Erin Hart reviews Syl Jone’s play Shine!, which is being premiered at Penumbra Theater.
January 29, 1992 - Local writer and theater critic Erin Hart reviews Twin Cities productions of Dial M for Murder & Ramona Quimby.
January 23, 1992 - Writer and theater critic Erin Hart reviews local productions of The Rainmaker; The Meeting, and The Life and Times of Deacon A. L. Wiley.
January 15, 1992 - Writer and theater critic Erin Hart reviews Peter Weiss’s play, Marat/Sade, being staged at the Guthrie Theater. The 1964 play is famous for its "play-within-a-play" structure set in a 19th-century asylum where inmates stage a drama about the French Revolution.